To Live Is to Believe
Remembering Ursula von Rydingsvard, an Epstein survivor’s message for MoMA, interviews with Paul Pfeiffer and Layli Long Soldier, and the best costumes of our artsy Halloween party.
Remembering Ursula von Rydingsvard, an Epstein survivor’s message for MoMA, interviews with Paul Pfeiffer and Layli Long Soldier, and the best costumes of our artsy Halloween party.
From “Las Dos Fridas” to a walking Eva Hesse sculpture, Hyperallergic members, readers, friends, and artists brought the spirit of the season to our second annual costume contest.

An anniversary exhibition spotlights the artists who’ve made the gallery one of Lower Manhattan’s most adventurous success stories.

The partnership between the museums will include intermuseum loans and joint exhibitions.

"He took a lot of joy in his everyday life. He sought to make really beautiful photos, and strove to make the world a more beautiful place," said his former student.

A governor-appointed arts commission has denied funding from two LGBTQ+ organizations and an artist focused on immigration issues.

Commissioner Jenni Parido sent a letter to donors pleading for "urgent funding" for deinstallation and shipping as the Venice Biennale comes to an end.

“I wanted it to feel like a chapel, a place for everything I believe in. My painting chapel.”

Refine your artistic vision and join a diverse community at the first professional school of the arts in Los Angeles.

How Manet transformed the misunderstood feline into an emblem of independent thinking; plus, Gay Halloween memes galore!

The embattled German exhibition's latest appointments, artist Catherine Opie wins a Yale University award, and Dallas Art Fair partners with … a university?

Long associated with witchcraft and bad luck, the black feline became an emblem of artistic rebellion and urban life in 19th-century Paris.

From the Kelly Clarkson's mechanical bird fiasco to Carrie Bradshaw's Dior newsprint dress, Gay Halloween speaks to the staying power of women's iconic media moments.

An exhibition at the Academy Museum explores the transgressive power of scary movies, channeling our deepest fears about life, death, and the unknown.

Ken Russell’s film designed by Derek Jarman, newly released in a 4K restoration, mirrors the horrors unfolding outside our windows.

We recommend titles on fiber art, weaving, and textiles, plus Megan O’Grady on a new John Berger biography.

In a Trumpian move, the government of Abelardo de la Espriella took down works referencing LGBTQ+ and women’s rights and political violence.

This year’s iteration of the artistic assembly was a love letter to the neighborhood and its craftsmanship amid an era of remediation, development, and gentrification.

“I want to visualize the fact that, despite our perception, reality is changeable,” the Brooklyn-based artist said of her paintings.

He brought his optical preoccupations into the 21st century, without losing his love of artists from earlier eras.

Santa Paws, Vincent van Doge, and the papal Pup Leo were among this year’s fierce competition.
Students from the independent École du Louvre and the National School of Fine Arts are leading the ongoing action.

“This history is dirty,” says the Brazilian artist, who sees the colonial past as an active force in her country’s present.

In Mani Haghighi’s new film, an artist’s extensive archive draws the ire of the authorities.

More than sixty artists explore migration, memory, and identity in this survey of Puerto Rican abstraction across and beyond the archipelago.

The Los Angeles-based photographer, who was raised in a conservative Catholic environment, is reclaiming the divinity of queer and trans identity through religious imagery.

Hrag Vartanian on Cannupa Hanska Luger, Artavazd Pelechian’s cinema of connections, and a Ron DeSantis statue melts.

John Yau on Roy Lichtenstein, Megan O’Grady on John Berger, and Paddy Johnson answers the question: Do I need an agent?
The beauty of the Native artist’s forms seduces, but the visual history of destruction is embedded into each element.

Through his “distance montage” technique, the Armenian filmmaker’s masterpieces are built around impressions, not stories.

After a move upstate and a newborn, Merrill’s new work responds to the world around her.

The climate group 350 Action’s gallium statue began melting soon after being installed outdoors in Tallahassee on October 13.

Director Sompot Chidgasornpongse, who has a knack for patient observation, follows a single family on a quest to find a miracle.

The two sculptures were discovered after a citizen found a hieroglyph-etched stone on his property.

“My past sculptures [and] tools act as levers that pry ideas from my mind.”

Stories from a pioneering journalist and art worker, John Yau on Valerio Adami, and books of warp and weft for your reading list.

Applications are now open for the 2027–2028 academic year.

Genesis Facade and Great Hall artists announced, a new leader for the Armenian Museum of America, Bernie Sanders weighs in on the AI art debate, and more.

Titles on contemporary Diné weavers, Black American quilting in California, the Bayeux Tapestry, artists including Cecilia Vicuña and Olga de Amaral, and more.

A New Deal-era sculpture by John Rhoden was also included in the city's restoration project.

Ahead of her memoir's release, we talk to Joan Kron about Andy Warhol, beating Sidney Janis to the punch, and why she calls herself a “renegade housewife” of Pop Art.

Among them champagne, new money, and an artist’s custom-scented bathroom installations.

His syncretic style melds Pop Art’s cool, outlined forms with expressionism’s figural distortions, resulting in a perturbing ambiguity.

Co-organized with the Louvre, "Rembrandt and the Ancients" opens at the Metropolitan Museum of Art in November 2027 and will travel to Paris in 2028.

“I genuinely want any child that walks through this door to be and feel protected,” the East New York-raised artist told Hyperallergic.

Celebrating the artistic voices of Asia and its diaspora, the fair brings new and returning international galleries together in Paris this October.

A three-year program for artists critically and experimentally engaging with media, technology, and contemporary culture.

Megan O’Grady reviews a new Berger biography, Deana Lawson appropriates surveillance photographs, and Paddy Johnson answers the question: Do I need an agent?

Curated by Mia Lopez, 16 artists transform everyday objects into bold explorations of Latinx identity. On view in San Antonio from October 16 through March 7, 2027.

In a world skewed toward artifice, the East Williamsburg performance space’s commitment to confronting, rather than escaping, one’s conditions in art feels like a renaissance.

The artist will present an aria from the still-unfinished opera, “Timaeus and The Teacher,” during the festival's closing program.

I wonder what the women standing perpetually accused and anonymous might say about the sale of their stolen images.

Dispelling fears that last year's blaze pushed artists away for good, this year's edition proved that the Brooklyn neighborhood’s artistic community is as strong as ever.

Though he is known primarily for his work of fantastical landscapes and mystical woodland creatures, a new retrospective tells the full story.

Artist agents are not the panacea we imagine them to be, but AI agents won’t solve all your problems, either. Paddy Johnson breaks it down.

The late novelist and art critic asked Tom Overton to wait to write his biography until after his death. The result is deeply informative, deferential, and perceptive, sometimes lyrically so.

John Yau on the Whitney’s retrospective of the Pop titan, an interview on Indigenous perseverance with Congress hopeful Jonathan Nez, and art films to see at DOC NYC.

Open studios and houses, plus reviews of Betty Parsons, Riddikuluz, and the L train burlesque.

A Nationwide Day of Action on October 8 gathered artists, activists, and survivors in a collective call for institutions to hold abusers accountable.

Documentaries on a giant pencil that became a local watering hole, the afterlife of Frida Kahlo through her image, and collagist Romare Bearden are among the festival’s most enticing offerings.

Documentaries on a giant pencil that became a local watering hole, the afterlife of Frida Kahlo through her image, and collagist Romare Bearden are among the festival’s most enticing offerings.

“Every opportunity to show my work is a platform to raise attention on the struggle for self-determination and cultural resistance of the Shipibo people,” the artist told Hyperallergic.

He went from being a satirist of America’s ideals to a parody of himself, an artist content with other artists’ masterpieces.

The environmental organizations filed a suit against the Bureau of Land Management for approving the project that endangers centuries-old Indigenous petroglyphs.

The cancellation of the January 2027 event reportedly came without the input of the biennale’s curator, Noor Ahmed.

The former Navajo Nation president running for Congress in Arizona speaks to Hyperallergic about his upbringing, how Diné culture shapes his political thinking, and the importance of historical memory.

Tracing the Dutch painter’s enduring influence, free back-to-school art supplies for NYC teachers, and a glitch at a Pioneer Works exhibition is unexpectedly illuminating.

A team of researchers excavates the story of Earl Stendahl, a mid-century gallerist who shamelessly stole ancient Mesoamerican objects and marketed them to the institutional art world.

In this photography exhibition, works vacillate between intimacy and unknowability, like a fractured peep show.
Winners of the city's recently doubled grant for artists can also enjoy unlimited supplies from Materials for the Arts.

Artists, filmmakers, poets, and the art market itself still bear traces of the Dutch painter’s influence, writes historian Ruth Bernard Yeazell in “Vermeer’s Afterlives.”

A malfunction in Finnegan Shannon’s installation at Pioneer Works led to new insights.

“Here, I am allowed to play, to not know the answers, to let the message evolve on its own timing.”

The Pulitzer Prize-winning Diné artist on latest projects, art in NYC for Indigenous Peoples’ Day, and a Felix Gonzalez-Torres show misses the mark.

Lucy Ives reviews the Krasner-Pollock show at The Met, the L train burlesque arrives in Manhattan, photos from the student protests in France, and an interview with outgoing Yaddo President Elaina Richardson.

The Pulitzer Prize-winning Diné artist talks about his recent performances at the Park Avenue Armory, the freedom of improvisation, and the privilege of “deep listening.”
In his first major retrospective, the Hoocąk artist transforms natural materials into fluid sculptures that carry the memory of place, ancestry, and cultural survival.

In shows coinciding with Indigenous Peoples' Day, artists including Jeremy Dennis, Shelley Niro, and Sarah Sense chart Native history and futurity.

The new home in New York, known as Branchline, will display selections from the family’s trove of over 800 contemporary Native artworks.

From art history to instruction, Quarto publishes visually-rich books for artists of all mediums and skill levels.

“Sweet Revenge” at the Reina Sofía gives the impression of a showcase of a second-generation Minimalist artist, emphasizing form over anything else.

Southern artists can apply now to show in Lake City, SC, where the whole town becomes a gallery April 15 - May 1, 2027.

The defining images of the nationwide movement, New York drag artists celebrate queer politics and joy, and the scoop on Hyperallergic’s Halloween plans.

Plus, the Boston Public Art Triennial’s curatorial team, Kinosaito fall artist residents, and Mariah Carey’s “Last Supper” selfie in this week's Art Movements.

Painted signs and trash bins have become a visual lexicon of resistance as protesters call for educational reform and an immediate end to police violence.

Reigning diva Amygdala brings Brooklyn drag to Manhattan in “Pleasure Dome: Continuum,” a fête of therapeutic sound, vaudeville tributes, and queer politics.

Greece’s National Museum of Contemporary Art edged out institutions such as the Rijksmuseum and FENIX Museum of Migration in the Netherlands.

Democrat Jamie Raskin’s proposed bill asks the institution to preserve items related to Trump’s “propagandistic assault on American history.”

Elegiac, urgent, and infinitesimal, the videos and Polaroids in "Spectra Obscura" express distinct sorts of disappearance, decay, and fleeting natural phenomena.

The concurrent emergence of cinema and X-ray technology radically transformed how we see and understand the human body.

It might have made a more fascinating exhibition to explore her balancing act as a gallerist, but this show focuses on her less interesting art.

It’s the collaboration the art world deserves. Plus, we’re throwing a Halloween party!

Two others were injured at the October iteration of the monthly First Fridays art festival.

Danish artist Jens Galschiøt’s sculpture “The Orange Plague” depicts a naked Trump sitting on the shoulders of a man straining under his weight.

This week, we honor a Viennese Actionist, a journalist who captured Apartheid, and a poster designer for concerts and films.

The artist’s mobile outside the LA museum is the inspiration for a new drink à la Hailey Bieber, but in concrete gray with blobs of Calderesque colors.

Roberta Gentry’s visions in orange and blue, Jordan Nassar’s tatreez puzzles, 12 Japanese women who shaped hard-edge abstraction, Susan Silton’s feminist conceptualism, and more.

In Ridikkuluz’s paintings, the irascible dog emerges as a symbol for Israel’s oppression of Palestinians.

Institutions are human creations. Building and reshaping them requires imagination, experimentation and a tolerance for uncertainty.

A new biography attempts to make the case for Tanning’s independence and artistic strength in her own right, but remains frustratingly tethered to her husband.
